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Taiwan Soundscape
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Are you intererested in environmental sounds in Taiwan? This space aims to share experiences of listening to Taiwanese environmental sounds. Whether your approach is academic, artistic, philosophic, techinical, personal-related (such as life experiences and memories) or others, you are very welcome to join the discussions!
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Women in New Music Festival 2006

Postmark Deadline:  January 15th, 2006

Call for Electroacoustic/Electronic Works
by Women Composers
International Women's Electro-Acoustic Listening Room Project
Fifth Annual Women in New Music Festival 2006

Crossing Cultures
Voices on the Edge:
Fifth Annual Women in New Music Festival
March 9th-12th, 2006, California State University, Fullerton

Concerts, Listening Room, Lectures, Master Classes, Workshops
Featuring:
PAMELA Z, voice and electronics
ETHEL, string quartet
CHEN YI, composer in residence,
and other guest composers, performers, scholars

International Women's Electroacoustic Listening Room Project:
The Women in New Music Festival features day-long playback of works by women in electroacoustic music. During the 8 hours of the electro-acoustic listening room the listener's mind is immersed in the sounds of diverse compositional voices of women composers in electroacoustic music from over 20 different countries from around the globe. The Women's Electroacoustic Listening Room strives to present a diverse sampling of different approaches to electronic music, with examples from classical computer music, environmental music, and meditative music to works that expand acoustic virtuosity and improvisation with virtual instruments to sonic documentaries that capture the inner workings of the mind: horror, humor and the unfolding of human dramas.  This year the Women's Electroacoustic Listening Room focuses on
CROSSING CULTURES: VOICES ON THE EDGE
Submit your proposed electronic/electro-acoustic work for inclusion in this year's electroacoustic listening room event: Crossing Cultures:Voices on the Edge. Maximum length 12 minutes. Please include: CD of proposed work, submission information: length of work, name of composer, contact information, program notes and short bio to address below.  Also send all submission information by email to

Dr. Pamela Madsen
Music Department
California State University, Fullerton
P.O. Box 6850
Fullerton, CA 92834-6850 USA
For more information contact: pmadsen@fullerton.edu
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